This thesis explores how glitch aesthetic—rooted in the celebration of imperfections and errors—serves as a common thread that links between music and contemporary visual art since 1990. By examining the works and practices of artists who navigate both mediums, this study aims to reveal how glitch not only challenges conventional processes of art-making but also fosters a shared language of innovation and critique. Through this lens, the thesis highlights the ways in which the concept of glitch acts to further the dialogue between music and visual art, inviting a reconsideration of perfection and imperfection in the broader societal context, and prompting a deeper reflection on the cultural and philosophical meanings of flaw and authenticity.

Authors:
Xue Ju, Louisiana State University, United States

About the Presenter(s)
Xue Ju (Fiona) is a Ph.D. candidate in Experimental Music and Digital Media at Louisiana State University, where she teaches 'Intro. to Computer Music.' Her interests include the intersection of sound, technology, and performance art.

Connect on Linkedin
https://www.linkedin.com/in/xue-ju-fiona/

See this presentation on the full schedule – Tuesday Schedule

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